The Pearls and Perils of Rome

Let’s get the Perils out of the way first.

I have always been told that the Termini Station at Rome was risky , and that many dodgy people, often working in packs, try to grab handbags or phones from non-vigilant passengers – so I have always been careful and I have got through the terminus unscathed – but not so lucky on this trip!

Unfortunately, although as a result of my experience I will be even more careful, I am unable to offer much advice because I still can’t quite see how they managed to get my purse out of my handbag without me feeling them either close at hand or actually dipping into the bag! I had my hand placed on top of my bag throughout my visit  – but as the train guard explained “Sono Bravi!” (They’re Good!)  She also told me that a robbery was reported at the station approximately every two minutes, and with 480,000 persons using the station per day thieves have plenty of choice, and I suppose the police are kept too busy dealing with people in crisis to have time to actually prevent the thefts from occurring!

So be aware, and keep all money and possible money containers out of sight and try not to speak anything but Italian as the unsuspecting tourists are the key target. Quite apart from the hassle of losing the money and cancelling credit cards there is also the hazard of Italian Bureaucracy and making a “denunzia” to the Carabinieri to deal with  – and I have found that this can involve long queues and most peculiar lectures!

My smartly dressed opponent on Wednesday night , for example, chose to try and harangue me for not being able to present my Carta d’identità – this despite the fact that the loss of this document was top of the list denounced as stolen. To be fair he gave up, albeit reluctantly, when I pointed this out!

The pearls of Rome however, are many and varied, and as the weather was fine for most of the day we chose to walk across the City to many sites and thus saw many other beautiful things on the way.

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For example we crossed the impressive Piazza del Popolo , with it’s Egyptian obelisk of Ramesses II from Heliopolis that was brought to Rome in 10 BC by order of Caesar Augustus and originally set up in the Circus Maximus.  Evidently there was hope for a twin for this obelisk but nothing appropriate was found.

The Piazza does, however, boast two ‘twin‘ churches of Santa Maria in Montesanto (left, built 1662-75) and Santa Maria dei Miracoli (shown in the picture above) which was built 1675-79). Pope Alexander VII commissioned them as part of a monumental design to enhance the entrance of the remarkably straight Via del Corso.  The architect of the Pope’s project to enhance this Piazza was Carlo Rainaldi.

The two churches look similar but are not, in fact, identical twins.

We went that way partly to go through the  Porta del Popolo, which was an ancient Roman gate of the Aurelian Walls of Rome.  The ‘new’ entrance to the Piazza was built by Pope Sixtus IV in 1475 but what we had noticed were  the Medici balls on a crest on the external entrance so we went in to try and find out why and when they were added.

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This outer façade was commissioned by Pope Pius IV (1499 –1565) who was born Giovanni Angelo  Medici, but although he was not particularly connected to the Florentine Medici.- maybe he was connected enough to want to use the family crest?  He  was Pope from 25 December 1559 to his death in 1565 and initially commissioned the Florentine Sculptor  Michelangelo, to do the work. Michelangelo, as was so often the case, didn’t have the time to complete the task so assigned the job to Nanni di Baccio Bigio whose design was implemented between 1562 and 1565.

Once a major entrance to the City this gate was also a toll gate and customs office with two powerful square watchtowers and what look suspiciously like Florentine Giglio garnishing the battlements.

 
 The main reason I wanted to join this trip to Rome was to see the Henri- Cartier Bresson Exhibition at the ultra modern Museo dell’Ara Pacis before it closes on the 25th January.
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Even allowing for the annoyance and loss of money and time involved in having my wallet stolen the Exhibition made it well worth the trip!
Exceptionally well curated, this photo exhibition is also an 80 year history lesson featuring works from a man who was still working creatively when he died aged 94,  Moreover his reputation took him all over the world to photograph many of the key events of the 20th Century and some, such as the assasination of Gandhi, occurred within hours of his meeting with him…. so his published photos were all of the masses attending Gandhi’s funeral instead of his lifestyle.
 
One of the most remarkable photos I have ever seen is this one below showing the desperate queue outside a Chinese Bank that was still offering to pay gold for the rapidly diminishing currency during the last days of Kuomingtang, just before Mao’s Communist Army arrived in Shanghai.
Bresson’s work is not only about history however – having studied art in the 20’s he also spent time using the classic rules of geometry to position his images. This enabled him to create images of incredible beauty – and many with more than a hint of Surrealism.
Later in life 1968-74 he worked on a series of extraordinary portrait photos of  important artists of his time including the ‘iconic’ images of Henri Mattise and Alberto Giacometti , shown below.
At the end of his life Cartier Bresson returned to pen and paper and using himself as a model produced a large quantity of revealing self-portraits
Before we came home it started to rain but we made a last trip to St Peter’s to see Michelangelo’s glorious Pieta and as an extra bonus found the Christmas Tree and life-size Nativity scene was still in place – not so much beautiful as extraordinary with its additional pigs, ducks and moving shoe-makers and wool carders – it was fun to watch it and to see the children enjoy the spectacle.
A wonderful day – thanks so much to Diane and Katherine for sharing the pearls of Rome with me!
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