3.11.11
The Colour Yellow
In Christianity – yellow – as the colour of most of the early spring flowers – was used as a symbol of renewal and hope – but, alternatively, it was also used to suggest someone to mistrust – as one might mistrust a yellow mushroom or a poisonous plant like laburnum – (pictured below)
These yellow flowers are nice to look at – but dangerous – a warning of treachery – even found in a wasp!
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Judas Iscariot is therefore usually recognisable in religious paintings – such as in these frescos on Christ being taken in the Garden of Gethsemane by Fra Angelico and Giotto di Bondone, as the one wearing yellow clothing.
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And although in this painting by Caravaggio the yellow is obscured a little by the soldiers armour -it is the fellow in yellow who is kissing Jesus Christ.
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This colouration is helpful when faced with a whole room full of Disciples to identify – although Judas is also, as in the painting below by Hans Holbien in 1524/25, usually looking mean and nasty and holding a money bag!

Unfortunately for the Jews – they have long been associated with yellow in this unpleasant way – and as early as 887/8 under a dictate from Caliph Omar II (717-20) there was an order that every non-Muslim, (the dhimmi), should wear different coloured clothes under which Jews were compelled to wear yellow belts and special hats
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In 1270 there was anti-semitic feeling in England and King Edward I decreed that the Jews were a threat to the country. He decreed that all Jews must wear a yellow star of David to identify them in public.
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In Italy and some other European countries instead of stars Jews were obliged to wear yellow circles – there is an illustration of this below and also a painting by the school of Mantegna in Mantua displayed in the current fascinating Money and Beauty Exhibition in the Stozzi Palace in Florence.

I am now concerned about my company name – an association with poison and treachery not being a good thing!!
However please note the key word in the logo is BEYOND and the Yalla Dog reference is a quote from A Room with a View – the classic English novel about the affect of Florence on the English written by E.M.Forster.


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